Tuesday, February 2, 2010

Dynamite Crate Lamp Table.

Dad found me this old Atlas Powder Company crate at a flea market a while ago. I knew I'd make a table out of it, similar to the Wine Crate end tables I've been doing.
I finally settled on a scissor leg design, with a trestle bar.
I wanted this to look both somewhat rustic, and a bit industrial at the same time. I was going for a look that felt as though it might have been assembled out of available materials at an exploratory mining encampment some time in the past.
To support that theme, I went with exposed nuts and washers on the outside of the cross legs, instead of the mortise and tenon joint I used with the wine crate tables. Since the legs overlap each other, I couldn't use the single broad cleat to hold the legs to the bottom of the crate. Instead, I made a pair of chevron shaped cleats for each end and attached them so that one would be seen from the outside, and the other would be hidden by a leg.


All the parts of the lamp table are salvaged material. The top and legs are made from very old pine planks from a set of shelving my grandmother used to hold homemade jelly and preserves in her basement. The growth rings in these boards are so tight and so numerous, that I can't count them. I suppose I could with a magnifying glass and a stylus, but it would take a while.
You just can't find wood like this now a days. Rings like this indicate a very slow growing and very old tree. We largely wasted the old growth forests of north America on frivolous crap that chokes the land fills now. But I suppose that's a rant for another day.
I gave the top a coat of Minwax Provencal stain, a medium dark and my personal favorite. I them sanded most of it off after it had dried. I purposely took off more stain in some areas than in others, to increase the variation in the appearance of the top.
I really prefer the hand made look to furniture, and most other things really. I like it to the point of leaving dings, scratches and other damage in old materials so that they are obvious in the furniture I make from them.
I sold high end furniture for a long time, and I eventually realized I didn't much care for it. I think it's a problem that our culture of mass manufacture has made people intolerant of imperfection, and unable to appreciate the individual character of things that are made one at a time.
Mass production makes items available to greater numbers of people at a reduced cost, but it also reduces the value of the items produced. Nobody cares about the coffee table they got at Target, there's a million others just like it getting chucked in dumpsters when their badly designed joints give out.
Sorry, ranting again. Heh...
Anyway, I gave the top a few brushed coats of satin polyurethane, so that it would wear better. The powder box itself, I only gave a single thin sprayed coat. I wanted it to retain all of it's worn and faded appeal and remain distinct from the top and legs. The legs got two brushed coats as well.

As with the wine crate tables, the top comes off so that the crate is available for storage.

The end of the crate is marked with "50, 4x16, Atlas Apex C, 15, 516, H.V.", I know the 5o means 50 lbs, and I assume the 4x16 refers to the size of the sticks of explosive the crate contained.
I haven't been able to find an identical crate online. Atlas made explosives for a variety of applications, but most of the crates I've seen were for coal mining explosives like Coalite. I know they ceased operations in the 60's, but from the condition of the crate, I believe it at least dates from the 40's.
If anyone can identify the age of the crate more accurately, I would appreciate hearing from you.


4 comments:

  1. This table is fabulous. I entirely agree with you about hand made vs. mass produced. I like things with character and that I think have a story.
    This table's got a story! Did you attach the planks and route the edges? I love the dark, warm stain. I also like that you "weathered" it.
    Where do you do all this work? Do you have a workshop or do you just keep some tools?
    Do you sketch the plans for the table before you make it or do you just work out of your head?
    I know from experience how important it is to be exact.
    Truly a great piece of furniture. I also love the environment it is photographed in-- exposed bricks and aged floors. I do not know how old the crate is, however, I love watching the Antiques Roadshow and I will let you know if I see a similar one!

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  2. Thank you very much, Journalizer!
    I'm glad you like it, I'm pleased with it myself. I have an Etsy account I've put some of the wine crate tables up for sale on, and I think I'll put the Atlas table up there as well.

    I'd rather keep it, but times are tight, and I don't really have the room to keep everything I make anyway.
    Yeah, the top is three planks edge glued and routed with a small ogee bit. I do that by hand and without a straight edge as a guide because I like to see a bit of variance in the profile of the edging. It makes it obvious it wasn't done by a machine.

    I have a little workshop I built with the help of a buddy a couple years ago. It's 16x24 and not really finished yet. I'm going to put a deck on the south face this spring so that I can do my finishing and painting outside in the sun.
    I only have a table saw as far as stationary tools go. I mostly use hand tools, power and not. I want to have a complete woodshop outfit when I can, but I'm loath to buy modern tools, they're mostly crap frankly.

    I do sketches in my "things to build" notebook for most things, but sometimes I come across a particular salvageable item or piece of wood and am inspired to build around it. A lot of the time I hand fit parts very slowly, making little adjustments to get the join I want because salvaged wood is usually warped in some way and I prefer to work around that instead of taking it out.
    It's actually very meditative for me. I think of it as my woodworking zen. It helps me to focus on the here and now to work with hand tools.

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  3. Yeah, that's how I feel when I paint; "In the here and now."
    There is great satisfaction after creation. I think the less plans, then the more conscious effort-- more focus. More zen.

    I am trying to expand this frame of mind to all things I do. You know? Like Zen monks. I am trying to feel that "here and now" focus even when doing the dishes and stuff.

    I'm not as successful with dirty dishes as with paint, but time will tell.

    You are lucky to have space for a woodshop. It makes me think of my existences in urban alienation from nature, but then again, I live with dogs and paint landscapes...

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  4. I know what you mean about trying to approach all endevours with a more deliberate and zen mindset.
    I'm an INTJ on the Myers-Briggs/Kersey temperment sorter, so it's my nature to constantly run multiple trains of thought at the same time. I'm a compulsive anylizer of everything.
    Focusing on the here and now, the task at hand, and shutting out all non-related thoughts really helps me to be grounded and focus on what I can affect, and not the things I can't change.
    When I'm working in the shop, I'm not building a table, I'm working on a part, and I'm not just cuting out that part, I'm making one cut, and I'm not just making that one cut, I'm taking that one stroke with the saw. In my mind, I'm seeing each one of those teeth slicing through the wood fibers on each stroke, and I'm trying to match my breathing, and my stance,and my motion to balance the opposing energy from the wood.
    I can't maintain that sort of calm for more than a couple hours though.
    I'm seeking balance, but I'm more mad artizen than artist, heh...
    Then I have to crank up the Motorhead and crash around the shop until some inspiration strikes and I have to write down the idea.

    I am lucky to have the space to work, and I appreciate it. I loathe cities, I had a crappy appartment in Indy for years and the sense of having my range of actions curtailed by the press of humanity around me was maddening.

    I love dogs too. I've got a pitbull/labrador named Radek, but refered to as the Pupster. He just appeared one day as a tiny puppy in a buddies barn and I took him home. He's easily the smartest dog I've every had and very strong. I'm going to make him a pulling harness and teach him to help me drag logs out of the woods.

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